Magix’s powerful Windows DAW gets another raft of new features in a comprehensive update. Released in the late Summer of 2011, the last major revision of Samplitude was the 12th version overall. However, rather than call it Samplitude 12, Magix’s rebranding exercise saw the product numbering reset and the program rechristened Samplitude Pro X. More than three years later, the 13th major revision has now been released. It comes in two flavours: Samplitude Pro X2 and Samplitude Pro X2 Suite. For readers not familiar with Samplitude, its roots stretch back a quarter of a century to 1990, when Titus Tost began coding an audio editor on the Commodore Amiga platform.

The Amiga version was released in 1992, and it became multitrack in 1994 on the Windows platform. The current version gives you 999 tracks of audio and MIDI, 64-bit multicore operation, support for up to 256 physical inputs and outputs, and 32-bit floating-point audio recording at sample rates up to 384kHz.

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Samplitude has many distinctive features not found in other DAWs, including Comparisonics waveforms, the Spectral view and the unique Audio Object Editor. The program also features comprehensive CD mastering functions, so you can record, edit and master your projects without ever leaving Samplitude. This review will concentrate on the new features and improvements in this release, so readers who would like to find out more about the previous Samplitude Pro X version should refer to the extensive review by Sam Inglis in the April 2012 edition (). Note, however, that the Mac OS X version which was then in the works has since been abandoned, so the program remains Windows-only. Samplitude has always been a fairly window-heavy program, and the Pro X update introduced docking as a way of managing all these interface elements. This concept has been expanded in X2 with the addition of tabs.

You can open multiple projects and switch quickly between them by clicking on the tab for each project, and any element that can be docked can be dragged out of the dock and added to a horizontal tab section that resides just above the grid and marker bar. A good example of this would be to have the MIDI editor as a separate tab allowing you to quickly switch between a full-screen VIP (Samplitude’s name for the arrange page) and a full-screen MIDI editor.