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Contents • • • • • • • • • • • • • • • • History [ ] The earliest music in Bengal was influenced by chants, and evolved under the influence of poetry such as the 13th-century by, whose work continues to be sung in many eastern temples. The Middle Ages saw a mixture of Hindu and Islamic trends when the musical tradition was formalized under the patronage of and the powerful landlords. Much of the early canon is devotional, as in the Hindu devotional songs of a who captures the Bengali ethos in his poetic, rustic, and ecstatic vision of the Hindu goddess of time and destruction in her motherly incarnation, Ma. Another writer of the time was Vidyapati. Notable in this devotional poetry is an earthiness that does not distinguish between love in its carnal and devotional forms; some see connections between this and, which originated sometime in the middle of the first millennium.

Forms [ ] Bishnupur Gharana [ ]. Main article: The (meaning 'divinely inspired insanity') are a group of mystic minstrels (Muslim Sufis and Hindu Baishnos) from the Bengal region, who sang primarily in the 17th and 18th centuries. They are thought to have been influenced greatly by the Hindu tantric sect of the as well as by Muslim philosophers. Bauls traveled and sang in search of the internal ideal, ( Man of the Heart or the inner being), and described 'superfluous' differences between religions., alternatively known as Lalon Shah, who lived in the 19th century in and around, is considered to be the greatest of all bauls. Rabindra Sangeet [ ]. Compal ksw01 drivers video driver.

Main article: The greatest personality in Bengali music is, without a doubt, none other than (known in Bengali as Robi Thakur and Gurudeb, the latter meaning 'Respected Teacher' (in the Bengal of that time, the suffix 'deb' was an honorific, ascribed to people who enjoyed immense respect, but this title was primarily used by his students at Santiniketan, though many others did use the address ). Tagore was a prolific composer with around 2,230 songs to his credit. His songs are known as ('Tagore Song'), which merges fluidly into his literature, most of which—poems or parts of novels, stories, or plays alike—were lyricised. Influenced by the style of, they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions. They emulated the tonal colour of classical to varying extents.