Valley Of Rain by Giant Sand, released 04 October 2010 1. Valley Of Rain 2. Tumble & Tear 3. October Anywhere 4. Death, Dying & Channel 5 6. Torture Of Love 7. Down On Town / Love's No Answer 8. Black Venetian Blind 9. Curse Of A Thousand Flames 10.

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Limited edition Record Store Day double LP in wide-spine outer with liner notes by Howe Gelb and download card and unreleased audio Howe Gelb has travelled many a long and dusty mile to get to his place of prominence as an elder statesman of freewheeling Americana. Giant Sand emerged in 1983 and released that group's debut album, 'Valley of Rain' in 1985. In the 25 years since, he has released an estimated 40 albums or so as Giant Sand, collecting his players and bands in Denmark and Spain, and another with a full gospel choir attached in Canada, but they call his music Americana anyway. Now ‘Beyond the Valley of Rain’ brings you ‘Valley of Rain’ on one LP, as originally intended.

The second disc features ‘Giant Sandworms’ on the radio, KXCI to be precise, back in 1993, and Giant Sand performing at Vera in Groningen, Holland in 1986 and includes two songs written and performed by Rainer, ‘Funny How Time slips Away’ and ‘Round and Round’. Two instrumental live tracks, ‘Meet Me in the Morning’ and ‘Roofs on Fire’ are too long for the LP, so are brought to you via a download, along with all the audio on wax. With liner notes written especially for this 30th anniversary release by Howe.

The Upshot: “Had an accident last night on Highway 95” Howe Gelb & Co. Revisit the band’s 1985 debut in classic freewheeling Gelb fashion. Go to read our new interview with Gelb, in which he discusses his thumbing through the back pages and his long, colorful career. BY FRED MILLS It was just three years ago when England’s Fire Records, as part of their ongoing back catalog overhaul of Giant Sand and Howe Gelb, reissued G.S.

Debut Valley of Rain, remastering and expanding the 1985 gem (as “Beyond The Valley of Rain”) for a 30 th anniversary edition. Included were extensive, fresh liner notes penned by Gelb, who duly related a conversation with his dear friend Rainer Ptacek, the late Tucson slide guitarist and songwriter with whom he’d formed Giant Sand precursor Giant Sandworms in the early ‘80s, and who would appear on many subsequent G.S. Albums: “Rainer was right,” wrote Gelb, “when he said we need to make a music that won’t embarrass us ions from now (he tended to teach without really teaching).” Prophetic—and well-taught/learned—words. Valley of Rain, whether in its original Black Sand Records/Enigma iteration or the aforementioned 2015 edition that boasts a bonus disc of outtakes and proximate live material from ’86 (the latter with Ptacek in the lineup), more than simply holds up to this day.

It’s as seminal as other Amerindie titles from that period, notably the desert rock/proto-Americana and neopsychedelic/Paisley Underground scenes of the mid- and late-‘80s that included the Dream Syndicate, Green On Red, Rain Parade, Sidewinders, Zeitgeist, etc. And apparently Gelb made a similar determination in 2018 that, even after helming more than 60 albums to date, VoR was worthy of the proverbial Stetson-tip. Ergo, Returns to Valley of Rain, a track-by-track re-recording—with some notable tracklist shuffling—of the ’85 platter.

From time to time you hear of artists who gripe about this-or-that’s earlier release’s faults and how they’d love to attempt a re-do. Once in awhile they might actually go through with the threat—among the adapters, for better or less, Camel, Girlschool, Mike Oldfield, Car Seat Headrest, Suicidal Tendencies, —but more often they simply settle for re-cutting individual songs and, of course, trotting out the “classic album done live” trope, once a mainstay of ‘70s classic rock icons but, nowadays, a staple of the touring-circuit scene. (Not to mention the bread-and-butter of tribute bands, who bank on the enduring appeal of, I dunno, Beatles/Doors/Pink Floyd and Sublime/G’n’R/Phish appeal to keep their mortgage payments up to date.) Howe Gelb, though, has the luxury of (a) never releasing an album considered so commercially iconic that going the contemporary remake/remodel route would be a reputational risk; and, (b) having a uniquely dedicated fanbase that both knows his records and understands how being a Gelb/G.S. Fan means enjoying and trusting the songwriter’s freewheeling, freeform view of his own back catalog. It’s no secret that Gelb takes a Dylan-like approach to song-selection and –rendition. Returns to Valley of Rain, then, is a start-to-finish delight.